It’s no surprise that Machan has followed a musical path. Her Mother was a Japanese jazz vocalist who met Machan’s Father when he booked her trio, which also featured pianist Toshiko Akioshi, into a post WWII officers club in Yokohama. Raised in the US, by the age of twelve Machan had taught herself to play the guitar, emulating her early musical heroes such as Joni Michell and James Taylor, and had begun to perform in venues around her hometown. By the age of sixteen, she was supporting herself as a performer. She studied jazz theory and vocal performance at William Patterson College, and soon found herself sharing the stage with artists ranging from Pink Floyd to George Benson to Sting.

The lessons she learned from her experiences in the world of pop super stardom resonate for her now that she’s committing herself to her solo career: “The guys in Pink Floyd were mega rock stars yet they were down to earth and wonderful to work with. They taught me that success doesn’t mean you have to be out of touch with reality or change who you are. You decide who you want to be and what to do with that kind of power.” A few years back, following an extensive tour with Sting, Machan finally felt the confidence to strike out on her own as a performer. “Even though I had some great experiences, working as a background singer wasn’t what I really wanted to do. When I was younger, I hadn’t found my direction or my voice as an artist, so I hid behind other artists.” Machan began to find her own way with her debut self-titled release, which reflected the singer’s myriad influences, softly weaving her inviting vocals around warm Brazilian rhythms and adult pop melodies, spiced with hints of jazz and world music. “Now I feel like I’m back on the path that I started down when Iwas a teenager. I’ve come back to my own main road now, and I am so happy to feel back on track.”